SOCIAL STRUCTURE AND GENERATIONS IN ART:

SOCIAL STRUCTURE AND GENERATIONS IN ART:

Source :

• Sociological Quarterly [ 0038-0253 ] ; 1990-06.

English descriptors

• Teeft :
  • Abortive attempts, American journal, Anne foner, Artistic conventions, Artistic ideology, Artistic innovations, Artistic matters, Artistic policy, Balfour declaration, Bolshevik revolution, Cameri, Cameri theater, Cameri theaters, Case study, Case study ofthe hebrew theater, Class struggle, Columbia university press, Cultural center, Cultural ideals, Cultural settings, Cultural tradition, Demographic conditions, Demographic structure, Differential impact, Dominant culture, Dominant theme, Early kibbutzim, Eastern europe, Equal rights, First decade, First group, First time, Formative years, Founding group, Founding members, Fourth theater, Fourth troupe, Free press, Generation status, Generation unit, Generation units, Generational, Generational theater, Generational theaters, German russian, Greater diversity, Habima, Habima theater, Haifa, Haifa theater, Haifa theaters, Harold pinter, Hebrew, Hebrew language, Hebrew theater, Historical dramas, Historical events, Historical location, Ideological groups, Indigenous hebrew drama, Israeli, Israeli drama, Israeli society, Israeli theater, Jewish community, Jewish ghetto, Jewish history, Jewish theater, Kibbutz, Labor movement, Language hebrew yiddish english, Literary works, Major parts, Majority vote, Many pioneers, Marilyn johnson, Militant zionists, Modem, Municipal theater, National home, National theater, Nineteenth century, October revolution, Ohel, Ohel theater, Ohel theaters, Older theaters, Other theaters, Oxford university press, Physical appearance, Positive reference group, Repertoire, Revolutionary spirit, Russell sage, Russian theater, Same generation unit, Second theaters, Sharp opposition, Similar proportions, Small group, Social forces, Social issues, Social structure, Soviet russia, Soviet union, Star system, Structural location, Stylistic innovations, Sufficient condition, Tennessee williams, Theater, Theatrical institution, Theme jewish israeli, Third production, Topical israeli, Troupe, Tsarist regime, Veteran groups, Veteran theaters, Wellesley college, Western europe, Yiddish, Yiddish literature, Yiddish theater, Yiddish theaters, Young israeli playwrights, Young people, Young players, Younger generation, Younger players, Zionist, Zionist philosophy, Zionist pioneers.

Abstract

• https://api.istex.fr/ark:/67375/WNG-LXT4WM7C-Z/fulltext.pdf

Affiliations:

• États-Unis
• Massachusetts

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